![]() ![]() Crowe eventually would incorporate electric instruments and even drums and Rice exited that chapter. In the Mid 70’s it was already a progression and it was loved or hated. Crowe and that was the seed for many a player to expand. In time Rice moved to Kentucky and began to work with J.D. ![]() It was there, but the discussions among the Traditional Bluegrass players had been happening for years. That fruition began a long time before Radio and T.V Really became aware of what they were involved with. I replied, “I hate Mathematics.” He and my Dad had a good chuckle. Bela Fleck was a new name in the Big picture and He asked me what I thought of the progressive movement. ![]() My Dad and I were in master Banjo maker Geoff Stelling’s workshop as we had him duplicating a Banjo neck from a 1920’s Vega. I recall when the “New Grass” Movement had truly hit stride in the world of the 1980s. Great Blues Rock Artists To Discover On Guitardoor ![]()
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